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by Christine Bode
In The Wake
Dream Aria
Indie
2005
Toronto’s eclectic Dream Aria may just be the most unique and exciting band to come out of The Big Smoke area in too many moons to count.  Their spiritual, elemental, planetary epic rock sound is influenced by everything from weather to Gods and Goddesses to Bedouin deserts to Spanish skies and Middle Eastern landscapes.  Never before, have I found a band featuring both bagpipes and African drum beats on the same album.  In The Wake immediately reminds me musically of Peter Murphy’s Turkish influenced recordings (because I don’t listen to a lot of other World music to be honest) and vocally of the powerful distinctive voices of Nancy Wilson, Pat Benetar and Bonnie Tyler but the band cannot be defined so easily.  They have virtually created a new genus of music by blending “progressive rock, rock, ambient, techno, goth, classical, new age and world music to create a sound all their own” to pilfer their words.  Sorry, but I couldn’t say it any better, could I?

I discovered Dream Aria through my good friend Dave McDonald who had them listed as one of his friends on MySpace.  I trust his judgment and excellent taste in music and I was captivated by the name of the band so I checked them out and was immediately impressed.  I contacted Ann and asked her if I could write a review for them because I want everyone to know how special this band is.  I cannot wait to see them perform.  Please come to Kingston, Dream Aria!

The fantastical Dream Aria features the beautiful rock goddess and lyricist Ann Burstyn on vocals, the extremely talented composer/producer Don Stagg on keyboards (he wrote all the music and many of the lyrics with Ann and Ren Kennedy), Jozef Pilasanovic on guitars, bass, vocals & flute (for this album anyway) and engineer/programmer Gary Gray on a marvelous array of drums.  The thirteen track CD is produced by engineer/composer National Velvet drummer Garry Flint who also contributes drums and bass.  Every member of this band has several diverse and exceptional talents.  Each track on In The Wake sounds different from the one before it and challenges the listener to define the parts that make up its whole.  This is music so intelligent that one might need to be extraterrestrial to truly understand its countless nuances.  With song titles like “Spirit”, “Sungoddess”, “Raindrops”, “Opus Dei” and “He Touched My Soul”, you know you’re in for a spiritual adventure.  My favourites are “In The Wake – Soul”, “Snapshot” and the pagan opera “Blue Lady” but I love the entire experience that is In The Wake.

I cannot imagine this band without Ann Burstyn.  Not only can the Winnipeg born lass play cello and piano but she can also dance and sing in different languages.  An obsession with music has permeated her blood since birth.  Ann’s influences range from great classical composers to ABBA to The Scorpions to Glenn Hughes of Deep Purple to name just a few.  She had a lot of experience singing with other bands and operas, performing jingles and even Egyptian vocals for the Royal Ontario Museum before joining Dream Aria and becoming its focal point.  I’m sure that there is nothing musically that this woman cannot achieve.  I am in total awe of her old soul and melodious second sight.  There is a wonderful review and interview with Ann at MusicalDiscoveries.com that shouldn’t be missed.

Dream Aria is busy recording some fresh songs with a new guitarist named Steve and are currently seeking a bass player in the Greater Toronto Area.   They will soon feature “Serpent Nile”, “Compassion”, “Anne Bonny”, and “The Flower Duet” on their official website at www.dreamaria.com.  In the meantime, you can visit them at www.myspace.com/dreamariacanada or Ann at www.myspace.com/annburstyn and let her know what you think of their truly amazing sounds.

Christine Bode
c.bode@partyinkingston.com

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